Peter Thompson is an experimenter and innovator, a ceramicist whose functional ware, sculptural vessels and figurative sculptures incorporate local raw materials sourced from Kuranda in the hinterland of Cairns. Whether utilitarian or decorative each of his works demonstrates a depth of consideration for form, function, and historical precedents.
Over a period spanning almost five decades, Thompson has created a remarkable body of work that sits at the cutting edge of contemporary Australian ceramics. He has been described as a ‘bare foot philosopher, a passionate scholar, and a witty social commentator, not shy to confront, amuse or make one pause in contemplation’.
Born in 1945, Thompson grew up in Sydney before moving to the tropical rainforests of far north Queensland in 1976. His intimate connection with the elements and his love for nature are evident in all aspects of his life and works. He studied ceramics at the National Art School in Sydney before completing a Graduate Diploma at Monash University. In 1995 he studied at Nanjing University where he had access to some of the finest forms of high fired porcelain that was invented over three thousand years ago. All these experiences combined his innate quest for exploring abstracted form and line with themes based on both Occidental and Oriental historical roots.
In his writings about the life and work of Peter Thompson, Ian Whittaker describes ‘Five Treasures’, the pottery workshop Thompson built in Kuranda, which was inspired by the five elements of Taoist philosophy – earth, wind, fire, water and the void. Whittaker comments that the luscious rainforest setting was a place in which Thompson could ‘indulge his enthusiasm for native fauna and flora, while having space to experiment with kiln designs and firing techniques. Above all else it allowed him to live a reclusive lifestyle where he could focus on philosophy and creativity’.
The result, says Whittaker, has been a prolific output of pots, figurines, sculpture and artefacts that draw strongly on a range of important international traditions, but which are reframed as unique, very contemporary and very Australian.
Image: Peter Thompson, Forme Tao Ci En Bor De Mer, c.1990-2010
Peter Thompson List of Works
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Exhibition Installation
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